Mass production of hollow-ware/daily use pottery, like handpainted Boerenbont (= multicolour Folk Art flower decors), sold later on to Boch Belgium, which produces it still today. Decorative pottery, sanitary, tiles, hotel porcelain and childern's play dinner sets. Shiploads of heavy (should be stronger) dinnerware & pottery tiles went all over the world. Trade mark/backstamps were translated in the language & characters of this market.
First hand painted, later also transfer print. In the beginning with plates/engravings and etchings, only the colour blue, later also brown and black sustained the high temperature of the ovens. Around half of the 19th Century also the colour green and red. Since 1891 obligated to mention 'Made in Holland' because of the imitation of Wedgwood-ceramics, like Recamier.& decors Teadrinker and Willow (famous 3 figures on a bridge, willow-tree and frisks pigeons) These decors were a century long in production. In the 1920s De Stijl/The Style had a clear influence with her primary colours and checkes on decorative pottery designed by Bellefroid. Merged in 1958 with Société Céramique into NV Sphinx-Céramique. Regout was (because of the take over of De Toekomst) the largest kitchenware/hollow-ware pottery factory of Holland.
Ontwerper G.M.E. Bellefroid, C. Eyck, C.J. van der Hoef, J.H. Lint, C.A. Lion Cachet, E.H.M. Molkenboer, W.J. Rozendaal, P.E. Daems, W. Visser, H.J. Jansen van Galen, Charles Vos, M. Wildenhain Friedlaender